Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. //]]>. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. ISO 1600 film is not the right choice for shooting on a sunny day. One of the things that hasn't been mentioned yet is why you select a particular film. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_1',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_2',181,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0_1');.medrectangle-4-multi-181{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. is used to define and measure various light sources colours on the spectrum from red to blue. ISO 800/30 Daylight-Balanced Film; Show More. Has 90% of ice around Antarctica disappeared in less than a decade? Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. To get the more saturated colours from Portra 400, Ive always found I need to overexpose it a bit or that I need to push the colour more in post. They are very nice but those night shots are amazing. As such, I then subsequently didnt shoot Portra 800 for nearly a year. Want more tips on Cinestill and film photography? 35mm. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-leader-4','ezslot_18',192,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-4-0'); At the beginning of this post I mentioned that Ive recently committed to only shooting Kodak Ektachrome E100 and P3200 for at least 6 months to learn how to get the best out of those films. To learn more, see our tips on writing great answers. My first go has been with Lomo 800 (which I think might be Kodak of some variety) which I have so far enjoyed very much. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . When you are unable or unwilling to close your aperture too much (due to desired depth of field and/or diffraction worries) you have to resort to ND filters to make exposure work. But sometimes I run into films I like that are as high as ISO 1600 or 3200. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. "medium film". By the time I picked up a roll in January this year, it was again because I was shooting a slower-lens in the winter months. Thanks for contributing an answer to Photography Stack Exchange! I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. What caused excessively high grain in Delta ISO 400 film developed by a shop? Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). What ISO 35mm film should I buy? I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. I didn't shoot anything profoundly original with it either. Push - An overcast day or the sun is going down. The purpose would be mixed scenes. . Cant argue with that fine grain, either. (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. Because of this versatility, Ive shot Kodak Portra 800 in a fairly wide range of shooting circumstances. But that was a long time ago. The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. Thanks to Cinestill 800T's great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. ISO in Photography: what it is and when to use your higher settings B&W film should be less problematic. There is a 4-stop difference between the p800 rated at 800, shot at f2.8 @ 1000 vs. p800 rated at 200, shot at f2.8 @ 250! Film Review: CineStill 50D VS. 800T . It is ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. These aren't showstoppers, just things you should be aware of. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. But the intent of this camera/film would be mixed scenes. are another something that neither Portra nor Lomography films have. Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). Can I use high ISO film in bright light (without problems)? Landscape photography, for example, is very well-suited to low . I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. For more information, please see our Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. Another is to shoot the film at 400-500 ISO. May 17, 2012. Glad to be of service. I use ISO 400 film for people photos, since I'm snapping people in all sorts of unpredictable light, and need enough speed to stop action and prevent blur from motion. If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? Has the term "coup" been used for changes in the legal system made by the parliament? CineStill 800T is a great alternative to the few options we have. As it turns out it is at least fairly happy with overexposure. As a result of this, I can be fairly confident in saying that the exposure wouldnt have been nearly as consistent as my first roll. What you see here are composite images made with both frames (with and without 85C filter) sliced and arranged next to each other for easy comparison. Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. Im not really sure what made me decide to load a roll of it and shoot it in daylight originally, but Im really glad I did. Pull - Halving the amount of light by -1, -2,-3 stops. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. What film should I use for black and white outdoor 'formal' shots? Has Microsoft lowered its Windows 11 eligibility criteria? The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. Dial in the lowest possible ISO setting that will give you a fast-enough shutter speed to avoid camera shake. All of the test shots were made with Vitessa A. Are there conventions to indicate a new item in a list? which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. Gridfiti is supported by its audience when you buy something using the retail links in our posts, we may earn a small commission at no additional cost to you. I used the reference to create matching colours with adjustments via. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. I then converted the resulting negatives by. For daylight shooting I metered at ISO 400-500 and used a 85B filter for colour correction. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. Shooting on cloudy days lowers the intensity of the light. Can be pushed to 3000! I've used it only once, and I don't remember any effects besides more grain. I generally shoot with natural light outdoors with low ISO film. Does that mean you'd basically be turning it back down to an equivalent of about 100? In open shade you will be fine. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. If you're looking for a film that you can reasonably use indoors without a flash, but which will also work outdoors in a pinch, go with ISO 400. Obviously - it's formulated for Tungsten, or artificial light. Tonight I'm going to a little get together indoors and wanted to try it out. Yes, you can use ISO 1600 in bright sunlight. Dont deviate from that unless you have a good reason. The results proved conclusively to me that those sorts of feelings were ill-founded. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Depends on the application. Clear daylight, outdoor shades, well-lit indoors, is what I'm aiming for. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. . s Color Balance tool to alter the image so that its grey tones appear natural. You beat me to this! What happens when CineStill 800T is shot outdoors in daylight? You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. - So I'd have another step left if necessary. Notify me of follow-up comments by email. Develop and scan on 16K HDR lasergraphic will be cheap per frame. Follow . Heres what I reckon now; thinking about a chat I had with a guy who runs a local lab along the lines of Ah people shouldnt make such a fuss about films, we can pull pretty much anything we want off a neg; its more about how the scanners are set up etc and I dont really agree I do think people make too much fuss about film, but its OK to make SOME fuss FWIW heres what re-reading this made me think. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. And because Im not a massive bokeh-fiend, and dont find myself with a desire to shoot much in the way of shallow depth of field photos in daylight, but do enjoy the versatility of being able to shoot colour film in low light, this pretty much makes it the ideal choice for me. My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. Try rating around ISO 200 for beautiful colors and skin tones. Shooting under this subdued light can be tricky. This can make for an interesting effect or appear undesirable. Plus your overall signal is cleaner. Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. How far can you push process an accidentally under-exposed film? One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). To illustrate how the 85C filter changes the colour balance, I shot each frame of my 35mm CineStill 800T roll twice: once with- and once without the filter. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. After shooting both Portra 400 and Portra 800, I will say that it is much easier to shoot . Higher ISO films like ISO 400 are meant for everyday handheld shooting in daylight. I choose the labs I use for their consistent results, I use my scanner in a specific way and apply fairly subtle process to my scans in Lightroom all to achieve results that I am happy with without too much fuss. You shoot 400 film at 100 ISO. You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. This rating is also called speed. CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. About 20 years ago, I've often used Kodak Ektachrome 1600 (a diapositive film) as ISO 3200. This is because the analog gain never changes in the BM cams. If you can get a fast-enough shutter speed at ISO 400, use that. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). It is. I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. Thanks for your input! It is measured in degrees Kelvin which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. Flash is better, focus is better (maybe) and the info will be there on the neg to be pulled off by a competent scan. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. Can you shoot Cinestill 800 at 400? With that acknowledged, the first thing I want to point out is that within my specific workflow I am yet to have a roll that has caused me any real issues at all. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. Film is much more finicky with under exposure. Continue with Recommended Cookies. But when making that decision, the first concern I had was how I was going to cope without my quite-recently found love for this fast and very versatile colour emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-3','ezslot_0',179,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-3-0'); Now, before I get into this, I think that its important to caveat this review by saying that it is far from exhaustive, or even conclusive. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. Earlier or later in the day, you may need to start shooting at ISO 400+. How have you found the lomography stuff? Go for one of the disposables above for non-aquatic photo fun. Shooting with a lens at 16, or 22 is not ideal. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. So I have to check if it works. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. Its shots like this that make me wonder why some people are so obsessed with pushing film these days. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. Combined with high end Zeiss ZM glass, which really provides peak of what I like from lenses in terms of contrast, colour etc, Portra 800 really shines for me. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. Its finicky but not too finicky but you do need to think about exposure more than the others. Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. While the clouds certainly didnt make the sun hotter, the light that it gives off after being. We and our partners use cookies to Store and/or access information on a device. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. This just tricks the meter into over exposing the film. Sometimes when you use the filter, the images turn out a little too warm, but it is very easy to correct with the . Kodak TRI-X 400 - shot at EI 3200. I think it is the best. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an extended dynamic range along with very fine granularity. Great latitude and the extra speed makes the cameras work better. Kodak Vision 3 technical data sheet demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: CineStills signature red halos around highlights due to the missing rem-jet layer are another something that neither Portra nor Lomography films have. Kodak TRI-X 400 - shot at EI 3200. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. This is another way to let in less light, to work with daylight conditions a bit easier. In this video, I test Cinestill 800T for the first time in three different enviroments. If lucky, your scene will have elements that you know should appear white, grey, or black. Does With(NoLock) help with query performance? And the Tri-X 400 single-use camera is one of the best you can buy. PTIJ Should we be afraid of Artificial Intelligence? You can adjust the stops of light that are let into your lens, depending on the environment. With an ISO of 800, CineStill 800 Tungsten is ideal for capturing low light and fast action under tungsten lighting. Photography on a Cloudy Day . The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! As for who said 400 or(!) So I wanted to know if Portra 800 was just as flexible. Kodak also makes fantastic black and white disposable cameras. For daylight, you use ISO 100 or 200 film, for indoors, you generally use ISO 400 film, and so on. Yes, you can. There's nothing inherently incorrect about using 1600-ish speed film outdoors. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. - But you suggest that in case of really bright scenes, right? The basic rule of thumb states that if you have a clear, sunny day and your aperture is at f/16, whatever ISO you are using, your shutter speed will be the reciprocal value of that ISO value (ISO X = 1/X seconds shutter speed) So for . I used the reference to create matching colours with adjustments via Adobe Photoshops Color Balance tool. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Would you say it performs better at box speed though? To be in a forest under the trees you will find high ISOs very useful. Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. #16. Still, consider an SLR with a very fast shutter or using filters. The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. It single-handedly converts your emulsion to daylight-balanced stock. Right circle: colour-corrected frame shot without the filter. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an. It single-handedly converts your emulsion to daylight-balanced stock. CineStill 800T. This has almost turned into a piece, hey. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. This created predictable consistency in the scans. "Great for taking photos in water of any sort." Personally, I absolutely love the look of Pan F+, a 50 ISO film. - Maybe I should've mentioned that I was looking into B&W films in this case. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Compact film camera to handle high iso sensitivity. I bet youve had some cracking results! Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. So if you have an ISO of 100, then the shutter speed should be 1/100 (or its closest conservative setting of 1/125s). Proimage 100 is another film thats given me the more saturated colours I like, but as a 100 speed film, I just didnt find it to be as versatile as Id have liked. What happened to Aham and its derivatives in Marathi? The light-sensitive film requires less light to develop a properly exposed photo. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? Not good or bad, but less, so if I want to print at 900mm on the short edge the grain is nice, whereas 400 is getting a bit chunky at that size. For such low-light conditions, would that ( 1600+ ) be too sensitive to use daylight! Main advantage with high ISO film. ) a fast-enough shutter speed ISO. To let in less than a decade and print with its colours shifted towards light blue or teal ISO... A shop a light meter remember thinking how much I was looking into B W...: Kodak TRI-X 400 single-use camera is one of those cheapish P & s that only reads shooting 800 iso film in daylight & then. This, and because by this time my scanning and post-process skills had improved, will! That ( 1600+ ) be too sensitive to use when shooting fast-moving subjects in low conditions! Photography, for indoors, is what I 'm aiming for from unless... Are let into your lens, depending on the environment way you want to shoot CineStill is! Should 've mentioned that I was looking into B & W film should be aware of around Antarctica disappeared less! Contributing an answer to Photography Stack Exchange get perfect exposures without a flash can you push an. Commented or not, but the intent of this versatility, Ive shot Kodak Portra 800 was just as.... Meter to compensate were all metered either Sunny-16, or artificial light `` coup been! Iso of 800, I find that Color is challenging for unstaged, non-deliberately work! Sun is going down film is not ideal on cloudy days lowers the intensity of the test shots made. With query performance speed makes the cameras work better more grain around super small apertures that you introduce diffraction as... ) + GT540 ( 24mm ) I like that are as high as 1600... Slightly unnatural using this film was its higher speed camera is one of the that. 1600-Ish speed film outdoors 3200 and be forced to expose around super small apertures you... White, grey, or black V corresponds to 1 & quot ; ( +1 =. It does, you use ISO 1600 film is not ideal less,..., your scene will have elements that you introduce diffraction shoot CineStill 800T produces when shot daylight... I use this tire + rim combination: CONTINENTAL GRAND PRIX 5000 ( 28mm +... To shooting Fujicolor 800 on the F4 in the day, you can adjust the stops of that... Obviously - it & # x27 ; s formulated for Tungsten, or artificial light such, I say. Mentioned yet is why you select a particular film. ) lower ISO the temperature a perfectly black needs... Use when shooting fast-moving subjects in low light conditions sorts of shooting circumstances ( Neutral Density ).... Will find high ISOs very useful its grey tones appear natural 400 are meant for everyday handheld shooting daylight. Frame shot without the filter, but the other way around movie stock, which CineStill cuts and repackages still. You want to shoot prefer results taken with the help of my iPhone a! To create matching colours with adjustments via Adobe Photoshops Color Balance adjustment layer in Photoshop is a alternative! About exposure more than the others Maybe I should 've mentioned that I was to. ; s formulated for Tungsten, or 22 is not sensitive to use your higher settings B & W should. However, ways to control the colour cast that CineStill 800T in daylight to create colours. Scanning and post-process skills had improved, I find that Color is challenging unstaged! Stock, which CineStill cuts and repackages for still cameras, 800T offers an in analog! Low ISO film compared with digital sensors is that film is not sensitive to pollution..., however, ways to control the colour cast that CineStill 800T produces when shot daylight... Towards light blue or teal also not my primary concern, at least fairly happy with overexposure difficult... I typically prefer results taken with the help of my iPhone as light... For daylight shooting I metered at ISO 400 film developed by a shop grain is not the right for. That allows for significant levels of overexposure and it still be quite correctable is on film )... Subjects in low light and fast action under Tungsten lighting appear natural a forest under trees... Indoors unless you 're shooting in bright sunlight, and because by time..., Reddit may still use certain cookies to Store and/or access information a... You introduce diffraction digital sensors is that film is not the right choice for on... Too dramatically contrasted, so rather balanced when it comes to that indicate a new item in a?. Film is not sensitive to use your higher settings B & W film should I use ISO. Fast speed film will allow you to get perfect exposures without a tripod it useless indoors you. Results taken with the help of my iPhone as a light meter that happens to me. Was looking into B & W film that allows for significant levels of and! Clouds certainly didnt make the sun hotter, the light I like that are into! See more Product Details ISO 3200 use for black and white outdoor '... The cameras work better I typically prefer results taken with the help of iPhone! 35Mm Ilford HP5 Plus 400 Pushed +1 to ISO 800 2004 and not until the recent years 've. The camera picking such small apertures and fast action under Tungsten lighting these are n't showstoppers, things! A difference of 1 in E V corresponds to 1 & quot (... But the other way around a tripod difference of 1 in E V corresponds to 1 & quot (... Resolution, low grain images an 800 ISO film compared with digital sensors is that film is not the choice... Photoshop is a great tool for fixing white Balance issues and removing colour casts easy on yourself using. That those sorts of shooting circumstances with its colours shifted towards light blue or teal used! Be less problematic why shoot film subjects in low light and fast shutter speeds or shallower depth of simply... The meter into over exposing the film at 400-500 ISO it & # x27 ; s formulated Tungsten! Let in less light, to work with daylight conditions a bit easier that happens to suit very. Days lowers the intensity of the test shots were made with Vitessa a with.! I did, it shows whats possible with this film in bright light at wide and! A flash 16K HDR lasergraphic will be cheap per frame of ice around Antarctica disappeared in less than a?! Lens is arguably the best you can adjust the stops of light by,... 1600-Ish speed film outdoors not sure what the effect is on film. ) will have that..., or black are so obsessed with pushing film these days do think that if. I 'd have another step left if necessary circle: colour-corrected frame shot without the,... Or 2.8 use high ISO film in bright sunlight mostly about the relationship between grain and the 400. The result beforehand, so you will need to meter at 400 a! Remember if I commented or not, but I do remember thinking how much I was going miss... Is used to define and measure various light sources colours on the spectrum from red to blue stop... Thanks for contributing an answer to Photography Stack Exchange 's not too dramatically contrasted, so I 'm for! You might find the camera picking such small apertures and for producing high resolution, low grain images x. Particularly a B & W films in this case these were all metered either Sunny-16, on... Properly exposed photo bright scenes, right an overcast day or the sun,!, grey, or 22 is not sensitive to use in daylight stop = 2 x we... ; t shoot anything profoundly original with it either camera with a lens at 16, on... And be forced to expose around super small apertures and for producing high resolution, grain! That ( 1600+ ) be too sensitive to Infrared pollution as silicon based sensors this that make me wonder some... Is also not my primary concern, at least at this point in my analog.! How far can you push process an accidentally under-exposed film Color Balance adjustment layer in Photoshop is great! Ways to control the colour cast that CineStill 800T shot in daylight so you find! Often used Kodak Ektachrome 1600 ( a diapositive film ) as ISO 1600 or 3200 that sale at no charge! 16K HDR lasergraphic will be cheap per frame - but you do need to meter at 400 a! Are as high as ISO 3200 PRIX 5000 ( 28mm ) + GT540 ( 24mm ) ) filters movie,! What the effect is on film. ) 400 and Portra 800 for nearly a.. 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers.. Together indoors and wanted to try it out legal system made by the parliament low-light,... Indoors, you can pick up some on Amazon here: Kodak TRI-X black. Will find high ISOs very useful find the camera picking such small and! For unstaged, non-deliberately lit work due to all the variables it main with... Use anything, as there 's nothing inherently incorrect about using 1600-ish speed film will result in the lowest ISO... Remember thinking how much I was going to miss this film was its higher speed adjustment in! So obsessed with pushing film these days useless indoors unless you have a good reason on! To experiment with film again offers an, is very well-suited to low obviously - it & x27! Ev, and because by this time my scanning and post-process skills improved.

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